Bucks Open Studios starts on June 10th and runs until June 25th. We’ll be opening the doors at beautiful Broomfield Farm, Rignall Road, Great Missenden, HP16 9PE at 10.30 on that Saturday. Roger will be showing new and old favourites from his amazing landscape photography. Richard and I will be bringing Raku animals with quirky character, thrown functional pottery, and sculpture.
We are open on June 10th,11th,16th,17th,18th from 10.30-5.30. It is the tenth year that Roger and I have taken part in Bucks Open Studios- seems hard to believe. So, it will be a bit of a celebration. We are thinking of taking a break next year, so possibly a farewell, too.
Near us in Rignall Road are Wendy Johnson and friends in Broomfield Hill and Fin Orrom Carr at Rignall Lodge.
We are looking forward to seeing you.
female figure on wood, approx 75cm
small porcelain bowls with glass, approx 6cm diameter.
Agate thrown porcelain bowls, various sizes.
We have got to that busy time of year. Exhibitions currently taking place are at the Odney Club in Cookham – Sculpture in the Garden. It is organised by Lucy Irvine of the Barn Galleries. See previous post for dates and times. We have several pieces on display around the garden. It is an amazing space with some gorgeous sculptures on display.
New figurative work. Stoneware clay, glazes, oxides and stains. Approx 50cm high.
The Affordable Art Fair in Hampstead is on this weekend- May 11-14. See the Doorway Gallery stand at H2. We are also massively excited to be heading to Dublin in August to exhibit at the Doorway Gallery. Heidi Wickham will be showing her paintings at the same time.
Bucks Open Studios is fast approaching. It starts on June 10th. We will be exhibiting at Roger’s lovely studio in Great Missenden. It is the 10th year that Roger and I have done Bucks Open Studios together and feels a bit of a landmark. I think we may be taking a break next year. We will be open on June 10th, 11th, 16th, 17th and 18th. Richard and I also have work at Obsidian Art and Claydon House. It is also a year since I stopped nursing to do the ceramics full time. It has been such an amazing year and I feel so fortunate to have had the opportunity to follow a dream.
Agate ware bowls, porcelain and porcelain with cobalt oxide.
Here we are in February already. There are various projects on the go. It has been so cold, it takes a big effort to get out to the studio.
the view from the studio
Events coming in the next couple of months.
February 16-22nd. Prince and Pilgrim pop up gallery 32, Seymour Place, Marylebone. www.princeandpilgrim.com
March 8th-12th Affordable Art Fair, Battersea with Doorway Gallery. www.thedoorwaygallery.com
March 18-19th. Art on the Hill, Brill www.brillart.org
March 27-April 15th Upstairs Gallery, Berkhamsted.
This figure is part way through being made. I am thinking of adding a head or face………
We have been working hard to get things made for all the up coming events.
A strange commission. This is a dung beetle with its dung ball. It was interesting to work out the construction.
A day of glazing and firing, glazing and firing. Crazy effort to keep up the work for our best selling galleries ready for -dare I say it- Christmas and Edinburgh Art Fair.
glazed work ready for the kiln.
The brilliant sunny days have helped, although it is now back to thermals!!
kiln just opened at 1000 degrees
Fired Ace pigs now into the sawdust bin. They will be covered in sawdust and left for 30 minutes.
Obvara Firing is an Eastern European technique. The bisque fired pots are fired in a Raku kiln. As they are removed they are dipped in mixture of flour, yeast, sugar and water and then plunged in to water to stop the changes. The longer the pot stays in the flour mixture, the darker the effect. It is a rapid process, so literally seconds in the mixture makes the changes.
The pots work well if they are burnished at the leatherhard stage. They also work well with texture on the outside as the colours of the technique really highlight the marks.
The recipe ( if you can call it that) is: 2.2 lb of flour/ 1-2 packets of yeast/ 1tbsp sugar/ 2.6 gallons of water. Mix together 2-3 days before use to allow to ferment.
Warning: it is quite smelly and if you are transporting the mixture put the pot in a plastic bag to protect the car! If you look up Baltic Raku or Obvara Raku on the internet you will find videos and other examples of the firing technique.
detail of obvara fired pot
Male figure. Crank clay with oxide and glaze. Approximately 65 cm high.
Bucks Open Studios is rapidly approaching. We are opening on June 17th from 11am at Broomfield Farm, Rignall Road, Great Missenden, HP16 9PE. We are exhibiting with Roger Longdin who takes large format photographs and prints in both colour and monochrome in his home studio. Open Studios starts from this Saturday June 11th and there are over 300 entries in the directory.
At the same time as Open Studios, Richard and I are taking part in the Affordable Art Fair, Hampstead June 16-19th . The kiln is working very hard to keep up.
We love working with the Doorway Gallery and hope to be at the private view next Wednesday evening.
Chris took this photograph of one of the male figures I have made. It will go to one of the exhibitions. They are high fired so can be in the garden or house. Emerging from the greenery seems to be an effective way to display the garden sculpture.
small porcelain bowl with red, black and blue glazes. Approximately 5-7 cm diameter.
A collection of small porcelain bowls.
Put the flags out! I am now officially a full time ceramicist/potter. After 19 years nursing locally, of which, nearly 13 years with Bpas.
My leaving do was last night. I made some little porcelain bowls for the great team I have worked with.
I have been experimenting with a different way of glazing. They have just splashes and brushes of three different glazes and the rest of the clay is left unglazed. These have been fired to 1240 degrees celsius ( I may fire them higher next time).
I am making more now in different sizes as well as these little ones.
These mugs are a commission. The shape was described with hand gestures to suggest cradling a warm cup of tea.
Not much to go on, but I understood the concept. I then just made shapes on the wheel to fit my imaginings of what was wanted.
Black and white glaze was requested. I don’t use a glossy black, but I do use a warm black/brown on my figurative sculptures and so decided to try that.
The client was really happy. That is a big relief and also a real pleasure to have got it right.
Good Friday and it’s a beautiful Spring Day. I am taking a week off, so was just checking everything in the studio is safe to leave.
unfired figure just drying out
small porcelain bowls waiting to bisque
bisqued work for glazing
new pitcher shapes drying.
I can leave things at this stage and a week off will give me time to think of how to glaze these, as well as time to sketch new ideas. I will have plenty to do when I get back to the studio!
These Chinstrap penguins were made for SOTA Gallery in Witney (www.sotagallery.co.uk).
Variations in crackle on these penguins from the same firing.
It is always interesting approaching a new sculpture idea. Photographs are used for reference, but the main thing is to capture some character in the animal. As each one is completely uniquely made, it is great fun to play with the pose and expression as the sculpture progresses. They start on the wheel as an enclosed cylinder, After the clay has dried a little, they are shaped and the head, feet, and wings added. It is getting the head and beak right that gave these fellas their character.
The one on the far right looks like it might be in charge of this lot!
Richard and I both made these. Can you tell who made which penguin?